確定這是蘇聯片？怎麽轉到現實場景之後秒變意大利全員喊話？喊的我頭疼😩

男主長得很一般，還是王以綸帥，張雪迎也不是很亮眼的感覺

阿克曼始終用一個異鄉人視角看著紐約，旁白是媽媽的來信，最後也是漸漸遠離。放映中旁白開始沒有字幕，大家第一時間沒有反應估計在猜測是不是導演的特殊處理，後來才意識是放映問題，鼓掌都鼓累啦還有退票的戲語，這個戲劇性的小插曲。

有一些壓抑和不認同 仿佛是人為的 好在演員可愛啊

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.