上半年看的最佳法劇啦，同是目前Rivette最讓我走心的一的作品啦，隻要控製時長，his film can also speak to me，時間把控得格外好，老裏晚年終於悟出沒有必要為了拍攝而拍攝。這部劇精妙在裏維特跳出了傳統電影分類所定義的「歌舞片」條條框框，而是用三位女人生活裏不平行的故事勾勒出歌舞片的內核，音樂在人物與人物間、人物與故事間、故事與情感間，自由流淌，循環穿梭。我最喜歡的是裏維特巧妙地將城市landscape 融入到歌舞片成為內核元素的一部分，那些空間：公園、樓道、舞廳、房間、陽台就是舞台和取景框，投射出每位人物的高低與脆弱之間。

泰劇不能帶腦子看 ps：男女主 女二長得都OK

Compared to other works I've seen so far, this one is less in the realm of magical and suspense, equipped with much fewer whimsical and enchanting moments in the traditional sense...there is clear imbalance among these protagonists, with Ida being the one with (significantly) least screen time, but Rivette likely doesn't care. The eventual encounter of the other 2, Louise and Ninon, and the bonding thereafter, is clearly reminiscent of Celine and Julie Go Boating, and that includes their joint effort in subverting gender dynamics...see full review at http://letterboxd.com/ziggyzaggy/film/up-down-fragile/

攝影、技術、構圖、音樂都很棒，劇情可能本來是個好劇情，但是劇本有點傻屌，角色塑造也顯得很弱智。

太美好了，但是看不進去。。。不過有意思的是發現了《飛越瘋人院》裏的護士長